In the late 1970s, Basquiat gained attention under the pseudonym “SAMO” (Same Old Shit), collaborating with friend Al Diaz. Their cryptic graffiti messages appeared across Lower Manhattan, blending poetry, philosophy, and social critique, capturing the attention of the city’s creative community.

The Shoot: “His space was packed with people. Jean-Michel attracted people for all kinds of reasons. He was charismatic, beautiful, a bit haunting and a genius in his own right.” – Richard Corman